Held at the Museo de Arte Moderno de Bucaramanga, presents a body of sculpture built across New York, Colombia, Costa Rica and Spain. The show draws on the first complete record of this work, assembled over two years with the artist and the collectors who hold her pieces.
Mounted at the Universidad de los Andes in Bogotá, [título/año] gathers sculpture from a career that has crossed several countries and several decades. It rests on the first complete catalogue of the work, compiled with the artist and drawn from public collections and private hands.
This exhibition at the MAC brings together sculpture that has explored form and movement for more than half a century. The works on view come from the first full account of this body of work, recovered over two years of research and digitized so that it endures.
Presented at INCAE, [título/año] centers on the Costa Rican chapter of a long sculptural career and sets it within the wider arc of the work. It draws on the first complete record of the sculpture, compiled over two years with the artist and with the people who own her pieces.
Held at Eastern Connecticut State University, looks to the New York years and the North American work that grew out of them. The exhibition rests on the first complete catalogue of the sculpture, recovered over two years with the artist and with collectors and digitized to last.
This exhibition presents sculpture that spans decades and several countries. It draws on the first complete record of the work, compiled with the artist and gathered from public and private collections into a single documented account.